PARIS: AUGUST/SEPTEMBER 

1998 




into my own dark sunday light approaches like the moon
through feathers that's no sooner seen than sunk
by blindness & the thought that everyone is dead 
around a city that's about to vanish 
as it has before
sucked down an empty pocket 
oversized & with a smell of earth
the bright adventurers of 1910 
whose streets these 
were sharing a common grave 
with those who followed 
reaching even to the place 
where you and I are waiting with the friends 
who drop out one by one like cyber-monkeys
flying into mindless space 



above a gorge we hung & swayed
the mountains were alive to every side
stone witnesses
the air was still 
with only a distant puff of wind
we sat suspended by an iron wire
voiceless
no one to talk to in the world
but you & me
a silence between earth & sky
that revelation
I think I prize its emptiness the most
so even now arrived in paris
I sit alone & feel it bursting from my chest
electric
final
rush of footsteps down an empty street 



why does a well-dressed man come up to me 
& ask me for a handout?
(this is a dream, I think, it can't be real)
why does a smiling mother dressed for church 
reach out a hand to touch me 
shadows all around her sitting on the ground
why does she ask for help
& why do I keep walking 
walking past her where there is no street
or sun even in paris on this hottest day in summer
what is the sound that comes at us around a corner
sound of a wave suspended in the air 
of hives of bees of hands applauding in the dark
who is the man who wears a flower in his ear 
a shirt with many folds 
a vest 
a beard 
the buttons glowing like electric sparks
the more I search his features I can see 
his lips are gone 
his tongue is heavy 
hanging to one side & forming words 
that never reach me 
that the darkness covers
all the people on this street sit flat against a wall
some open-eyed some sunk in a deep sleep
all are dressed up
the men wear business suits & blazers
a cardigan
a double breasted jacket 
a tuxedo tie & tails 
but have no coats or hats
their shoes are simple 
always a dark brown or black
with marks of sand from garden walks 
in paris laces open sometimes without socks
& the women well dressed too 
although the hair of one is hanging limply
with another's there are open spots
that show her skull 
a third one has the traces of a beard 
a large wet stain under one armpit
just look at them & they begin to talk
the way that birds talk
feathers that the wind is blowing
swirl across the square
we sit in paradise & pass a ball between us
papers at our feet
then when it's time to leave
we walk around a corner
climb the little flight of stairs 
& hear them following
the rush of music 
from a distant time a woman's voice 
becoming regular
the words emerging low & high
relentless
openings 
processions
& it's picasso in the lead 
a little man with hairy shoulders 
he has stripped down to his running shorts
like frank o'hara both of them now stars 
for minneola prep 
both now declare their love of evil
with apollinaire 
here too his head no bigger than a thumbnail
flanked by gertrude stein eyes
like a crazy doll's & someone looking like my father 
max jacob wrapped in a monk's brown cloak
down which his body disappears
here in a world where there are only little people
phantoms where the sky is not a sky
the earth is shrinking daily 
under silver plastic 
disappearing 
slipping through my hands 
like balls in a pachinko parlor 
eyes revolving like red lights
to end here in la republique 
with all the other dead
the hungry ghosts under our windows 
a soup kitchen for the dead 
the ones who run
the ones who squat 
now on the grass they speak our frailty 
the doom built into life
decomposition 
chaos 
anarchy 
confusion 
worse
confounded helter-skelter squalor
out of whack & out of order 
out of kilter 
out of money
out of time & out of place 
& out of breath & out of work 
& out of hope & out of power 
because the men who come to us though dead 
are just like us & stare at us 
like fallen princes 
we welcome you to death they say
their looks dividing us in two
the numbers dance again behind our eyes
the circles break
the man holding a clock up to his ear 
will count the silence
every day is summer
what was once alive is gone 
& what has yet to be alive
is also gone 

(c) Esmond Jones 2001

 

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